'Great is the Soviet Union, vast its territories, warm its entrails...' 1959. Whispers of dissidence are spreading in the U.S.S.R. Texts published in the West are circulating in samizdat, tormenting the secret police. Lieutenant Ivanov of the K.G.B, under pressure from his enraged superiors, is handed the case. Leads emerge, flare up, vanish. Years pass. 'Abram Tertz' publishes another short story, a new novel, mocking the competent authority. Shielded by his fierce wife Maria Vasilyevna Rozanova, Andrei Sinyavsky, one of the Soviet Union's most renowned and brilliant figures of resistance, waits in his wired apartment, drinking, sure his days as a free man are numbered. But as Rozanova continues to taunt Ivanov with her cheerful intransigence, a crisis of confidence opens up within the regime's resolve, causing the young lieutenant to wonder, 'are we actually as competent as we claim to be?'' With the unique insight afforded by his mother, Rozanova, Gran pays remarkable homage to Andrei Sinyavsky, his father, reimagining the six long years leading up to his infamous arrest, trial and conviction. Framed within a riveting cat-and-mouse dynamic; irreverent and darkly comic, Gran balances a satirical lightness with deeper meditations on dogma and freedom of expression, state control and creative resistance, the ghosts of which, at a time when political criticism is being crushed once again, are as present today as ever before.

'The best early training for a writer is an unhappy childhood,' Hemingway famously said. Julia Kerninon, one of France's most acclaimed young novelists, tells an altogether different story in a poetic account of her pursuit. Her vibrant ode to reading, and to writing as a space for discovery (as well as a 'respectable occupation') entwines the French and Anglo-Saxon literary traditions as she journeys fluidly through her formative years. From her native Brittany to the city of Shakespeare and Company, to a seaside cafe on the Atlantic coast, to Budapest and back, the author conjures a feminine answer to A Moveable Feast.

Does modernity trample on tradition, or can it in fact be a vehicle for the sacred? How can one determine whether an interpretation is legitimate, anachronistic or corrupted? Does sexual obsession have a textual origin, and is it woman's destiny to be veiled? In Eve's Attire confronts these questions and more to suggest another interpretation of religious traditions surrounding the female body and the erotic. As current fundamentalist religious discourse expresses a growing fixation on modesty, women are increasingly reduced to those parts of their bodies that arouse desire, effectively "genitalised" until the totality of their bodies becomes taboo. In resistance to such interpretations of religious text, which see even a woman's voice as an erotic organ to be silenced, Rabbi Delphine Horvilleur looks not only at religious texts themselves, but also at their interpreters, as she unpicks readings that make the woman a temptress, and modesty the instrument of her oppression. She shows us how nakedness, as expressed by Adam, Eve or Noah, refers to a culture of desire and not a wish to suppress it and explores how the veil was originally intended: not to reject, but to approach the other. Through her analysis of the meaning of modesty and nudity in Judaism, Delphine Horvilleur explores the societal and religious obsession with the female body and its representation and asks questions about how we can engage more critically with interpretations of sacred texts. Translated from the French by Ruth Diver

'The author's home town is falling apart. Lebanon's capital [...] has morphed into a symbol of devastation and hatred and madness. Majdalani is a survivor who still finds in himself the elegance to smile and hope' Amin Maalouf, Prix Goncourt winner 'It is rare to capture the moment when it first occurs, in real time, with these seemingly humble details that describe the instant in all its depth' Alexandra Schwartzbrod, Liberation 'A short narrative that strikes straight at the heart' Gaetane Morin, Le Parisien When Charif Majdalani begins to walk the streets of his city, and to write down what he sees, the first hints of unrest within a vibrant culture creep to the fore. Majdalani's reportage through the months of 2020 bears witness to the ways in which an ancient civilization slowly, then rapidly, descends into the abyss: corruption and vice infect the corridors of power; currency plummets into freefall, rats scurry between piles of rotting rubbish that grow higher along the pavements. Born from the rancour of existential pestilence, violence erupts and Beirut's citizens find themselves in high-voltage stand-offs with law enforcement. Then, the unexpected, Beirut collapses under the explosive force of 2,750 tons of ammonium nitrate. The blast kills hundreds and injures thousands. But through the rubble and the sirens, a people finds its strength to survive and its heart to unite. The city becomes the metaphor for each of our cultural capitals throughout the world.

It is with a soft voice, full of menace, that our mother commands us to overthrow our father . . . Richard Lionheart tells the story of his mother, Eleanor of Aquitaine. In 1173, she and three of her sons instigate a rebellion to overthrow the English king, her husband Henry Plantagenet. What prompts this revolt? How does a great queen persuade her children to rise up against their father? And how does a son cope with this crushing conflict of loyalties? Replete with poetry and cruelty, this story takes us to the heart of the relationship between a mother and her favourite son - two individuals sustained by literature, unspoken love, honour and terrible violence.

"Life itself is in these pages: in this candid, poetic style there is storytelling of real quality" - LEILA SLIMANI, author of Lullaby A powerful and personal account of the devastating consequences of childhood rape: a valuable voice for the #MeToo conversation. Adelaide Bon grew up in a wealthy neighborhood in Paris, a privileged child with a loving family, lots of friends and seemingly limitless opportunity lying ahead of her. But one sunny afternoon, when she was nine years old, a strange man followed her home and raped her in the stairwell of her building. She told her parents, they took her to the police, the fact of the crime was registered ... and then a veil was quietly drawn over that part of her childhood, and life was supposed to go on. Except, of course, it didn't. Throughout her adolescence and young adulthood, Adelaide struggles with the aftermath of the horror of that afternoon in 1990. The lingering trauma pervades all aspects of her life: family education, friendships, relationships, even her ability to eat normally. And then one day, many years later, when she is married and has a small son, she receives a call from the police saying that they think they have finally caught the man who raped her, a man who has hidden in plain sight for decades, with many other victims ready to testify against him. The subsequent court case reveals Giovanni Costa, the stuff of nightmares and bogeymen, finally vanquished by the weight of dozens and dozens of emotional and horrifying testimonies from all the women whose lives and childhoods he stole.

It is with a soft voice, full of menace, that our mother commands us to overthrow our father . . . Richard Lionheart tells the story of his mother, Eleanor of Aquitaine. In 1173, she and three of her sons instigate a rebellion to overthrow the English king, her husband Henry Plantagenet. What prompts this revolt? How does a great queen persuade her children to rise up against their father? And how does a son cope with this crushing conflict of loyalties? Replete with poetry and cruelty, this story takes us to the heart of the relationship between a mother and her favourite son - two individuals sustained by literature, unspoken love, honour and terrible violence.

"Life itself is in these pages: in this candid, poetic style there is storytelling of real quality" - LEILA SLIMANI, author of Lullaby A powerful and personal account of the devastating consequences of childhood rape: a valuable voice for the #MeToo conversation. Adelaide Bon grew up in a wealthy neighborhood in Paris, a privileged child with a loving family, lots of friends and seemingly limitless opportunity lying ahead of her. But one sunny afternoon, when she was nine years old, a strange man followed her home and raped her in the stairwell of her building. She told her parents, they took her to the police, the fact of the crime was registered ... and then a veil was quietly drawn over that part of her childhood, and life was supposed to go on. Except, of course, it didn't. Throughout her adolescence and young adulthood, Adelaide struggles with the aftermath of the horror of that afternoon in 1990. The lingering trauma pervades all aspects of her life: family education, friendships, relationships, even her ability to eat normally. And then one day, many years later, when she is married and has a small son, she receives a call from the police saying that they think they have finally caught the man who raped her, a man who has hidden in plain sight for decades, with many other victims ready to testify against him. The subsequent court case reveals Giovanni Costa, the stuff of nightmares and bogeymen, finally vanquished by the weight of dozens and dozens of emotional and horrifying testimonies from all the women whose lives and childhoods he stole.